Scouts turned into child soldiers (think Hitlerjugend)

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�This is about being a true-blooded American guy and girl” – Imperial County sheriff’s deputy

The Explorers program, a coeducational affiliate of the Boy Scouts of America [BSA] that began 60 years ago, is training thousands of young people in skills used to confront terrorism, illegal immigration and escalating border violence . . . .

While reading this incredible lead article on the front page of today’s NYTimes, my jaw dropping ever lower as I digested its horrors, I suddenly had the odd, faintly-heartening thought: Should we be grateful for one small favor? I mean, as homos we are fundamentally excluded from BSA membership, which normally means no participation in any of their fun and games or lovely overnights, so at least the Boy Scouts of America and their affiliate, the coeducational Explorers program, aren’t teaching violence, militarism, xenophobia, racism and fascism to our own young people (or at least not to those boys and girls who dare to be out while teenagers).
But seriously, this is appalling, so appalling that I had to think about whether this was April Fool’s Day.
These are children, and they’re being given “soft” guns, sometimes shooting real guns (�I like shooting them,� [one 16 year-old girl] said. �I like the sound they make. It gets me excited.�). They are taught how to fight ill-defined or subjective categories of enemies like “illegals”, “terrorists”, “active shooters” and marijuana farmers. No, I didn’t see anything in the article about taking down homos; maybe we’ve made some progress.
The program is restricted to kids 14 or above, but the reporter, Jennifer Steinhauer, suggests there seems to be some wiggle room: One sheriff’s deputy supervising a local post as a volunteer avowed, �I will take them at 13 and a half”.
The story primarily covers towns in Imperial County, in Southern California. It’s the poorest county in the state, ” . . . and the local economy revolves largely around the criminal justice system. In addition to the sheriff and local police departments, there are two state prisons and a large Border Patrol and immigration enforcement presence.”
Our older monsters are creating new monsters.

[Todd Krainin image from the Times]

a rebel, and righteous: Maria von Maltzan

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Maria von Maltzan

accepted no imitations

It’s her birthday.
Maria Helene Fran�oise Izabel Gr�fin von Maltzan, Freiin zu Wartenberg und Penzlin, was born on her wealthy family’s Silesian estate, Schloss Militsch, north of Breslau on March 25, 1909. She died in Berlin’s Kreuzberg district in 1997, after a very long and very rich life as a rebel, and one of the righteous – among all nations and for all people.
I first came across her heroic story in some incredible segments which peppered an excellent book I read last year, “The Fall of Berlin“, by Anthony Read and David Fisher. I must have been impressed, because I noted the date of her birth in my pocket calendar and later transferred the information when I bought one for 2009. It probably helped that I realized that this year would be her 100th anniversary.
Von Maltzan’s rebellion first became a public one with a decision, uncharacteristic for a girl in her society, to study biology, botany and anthropology. The righteousness was probably always there, but when she completed her doctorate in the natural sciences in the fateful year 1933 she almost immediately began her involvement in what was only the first of many underground anti-Nazi resistance movements to follow. She was very young, a part of a Bohemian circle in Munich, but she soon began illegally smuggling information out of the country.
Her lack of enthusiasm for the new regime alone would have been enough to trash a chance for any appointment with a scientific or academic institution, and none was to follow – ever. Von Maltzan began what would become a long career of what the world’s conventionally-successful would call underemployments. She survived on money earned as a translator, a free-lance journalist and a lecturer. She also cared for horses and worked as a stunt rider for Bavaria Film. When she moved to Berlin in 1935 she worked in publishing, later as a postal verifier and then with the German Red Cross assistance service.
During the war she completed studies in veterinary medicine, all the while carrying messages and leading refugees through the sewers of Berlin toward freedom, falsifying papers, sheltering Jews and other fugitives (both in her own apartment and elsewhere), and personally assisting many of them in fleeing the country, whether, as in “Action Swedish Furniture”, inside crates marked “Schwedenm�be” or personally conducting some across the Bodensee (Lake Constance) to safety in Switzerland. In the midst of her underground activities she managed to remain close to both the conservative Kreisau Circle and the Communists.
During the last months of the war, inside a Berlin now leveled by allied bombs, Maltzan continued to help both refugees and deserters, and she organized a private soup kitchen for abandoned forced foreign laborers in the back court of her apartment house in Wilmersdorf.
I’m leaving out the story of three marriages (two to the man she hid from the Gestapo inside her couch for years) and the death of a child. But there was much more. Most of the heavy personal cost of von Maltzan’s heroic exertions and incredible acts of courage were performed within a world whose restraints and terrors we can hardly imagine. We also won’t ever know the full nature and extent of what she suffered both before and after 1945.
After the war, her family members dead or scattered, and her home now inside Poland, she managed to found a veterinary practice, working first for the Soviet occupiers and after that for the British. But she later lost her license because of a drug dependency and her need for psychiatric care.
She slowly regained her personal and professional independence, first traveling with a circus, later working in the Berlin Zoo, always caring for animals. She also managed to get employment as a substitute for vacationing veterinarians.
She eventually settled near the Kurf�rstendamm in Berlin and opened a thriving veterinary practice which was patronized by both pet-owning celebrities and their equivalents in the red-light district. In 1981 she moved to Berlin-Kreuzberg, bringing her practice with her. She treated the animals brought to her by the punks in her neighborhood for free. While outwardly she might appear harsh and ill-tempered, inside she was a pushover for the victim, the vulnerable and the downtrodden. She readily chose to defend the relatively powerless individuals and multitudes who were crowded into her district, foreigners or outsiders of all kinds, from corporations, police and politicians. She told an interviewer:

I’m quite engaged in social things now because this part of Berlin is a perfect slum. They don’t like me to say it. I really stand up for this part of Berlin, Kreuzberg. They’ve shoved everybody into this area – Turks, colored people, Poles, everyone stuck into this corner! We have houses with eight flats on one floor with one w.c. on the staircase. The police, you can’t imagine how brutal they are down here, beating. If I see it – because you can see I have big corner windows with a clear view – I go down and get hold of the police and say, “Why are you beating these people?” And the silly police say to me, “Perhaps you like colored here!” “Well, ” I say, “I prefer them to helmets!”

In 1987 she was awarded the title “Righteous Among the Nations” by Yad Vashem. In this undated video interview conducted in her [killer] apartment von Maltzan says:

Because my mother was unjust I have a very high feeling of justice. That’s the real matter of the whole thing. That’s why I’m furious with Israel; they wanted to give me a eucalyptus tree, and I could get a medal pricked to my breast! Such things I don’t really care for.
And they said to me they wanted to make a big kickup for me in Bonn, but the letter inviting me for this arrived the day after the attack on Sidon [she mentioned rockets and red phosphorus]. I wrote back saying that all my life I’ve tried to be for the peaceful co-existence of all people, of all colors and all regligions, and I don’t see that Israel has anything to do with these my ideas, and so I don’t think I want a medal from you. I didn’t go.

Maria von Maltzan died November 12, 1997, in Berlin. She had published her memoirs, “Schlage die Trommel und f�rchte dich nicht“, a little over ten years earlier, but they have not yet been translated into English.

NOTE: There is a more extensive citation in the German Wikipedia, from which I’ve taken most of my account here.

[image from gayblock]

Solmi’s “il vilipendio di cose destinate al culto”

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Federico Solmi’s “crucifix” [my punctuation], related to his 2008 hand-drawn animation video, “The Evil Empire“, a satirical look at the outrageous exploits of a fictive pope, and a part of his “ongoing desire to satirize tyrants” [as quoted in both ARTINFO and ArtNet].

I suppose this artist’s work may look to some like heady stuff, but only if you’re Catholic, unwholesomely deferential toward superstition, or just dysfunctionally prudish.
The object shown at the top is a little provocative, but it’s also very beautiful, and I think his red knob is cute. Still, Solmi’s crucifix, while being shown at Bologna’s Arte Fiera this past January, so aroused local judge Bruno Giangiacomo (Judge for the Preliminary Investigation (Giudice per le Indagini Preliminari or G.I.P) who appears to have only heard about it second hand, that he had the Carabinieri seize it from the booth occupied by Naples’ Not Gallery and the artist charged with, essentially, blasphemy (“il vilipendio di cose destinate al culto“/”contempt for an article of worship”) and obscenity (“l�esposizione di oggetti osceni“/”the display of obscene objects”). The crucifix had already been sold to a collector, and Solmi first heard about the charges after he had returned to his home in New York. The blasphemy count was later dropped, when someone realized that the statute had been rendered null by a constitutional court in 2000.
No, sadly, this wasn’t a publicity stunt, but when I was first told about the confiscation and the charges I did think that someone was pulling my leg. Actually I was almost stupefied, since the great city where this occurred has the reputation here of being Italy’s most politically and socially radical. The artist’s own home town and the capital of Emilia-Romagna, Bologna led the country�s socialist movement early in the twentieth century, was extremely active in the revolt against the fascists in 1944, and after the war, until the last decade, the city consistently voted for communist governments. I had assumed its fiery, secular, non-conformist political history would have supported an artist’s right to his creation, however provocative. Now it’s up to the lawyers to decide how much liberty is too much liberty.

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drawing used in Solmi’s “Evil Empire” video

Our own art fairs last week didn’t produce anything like this kind of excitement. It almost makes me nostalgic for Rudy Giuliani’s imbecilic tantrum over the Brooklyn Museum show, “Sensation“, ten years ago. Just kidding; maybe we should think of censoring little boys and she-goats as more than enough excitement.

For more information see these ArtNet and ARTINFO articles.

[image at the top from the artist’s New York gallery, LMAK Projects, via ArtNet]

sharia in Afghanistan: 20 years for downloading

Sayed_Parwiz_Kambakhsh.jpgSayed Parwiz Kambakhsh, sentenced not for downloading porn, but for printing an internet article about Islam and women�s rights, and adding comments on the Prophet�s shortcomings on the subject

KABUL, Afghanistan � The Supreme Court in Afghanistan has upheld [in a secret decision made last month, but revealed only yesterday] a 20-year prison sentence for an Afghan university student journalist accused of blasphemy.
. . . .
The student, Parwiz Kambakhsh, 24, from northern Afghanistan, was arrested in 2007 and sentenced to death for blasphemy [following a two-minute trial; the sentence was commuted to 20 years last October] after accusations that he had written and distributed an article about the role of women in Islam [my italics]. Mr. Kambakhsh has denied having written the article and said he had downloaded it from the Internet. His family and lawyers say he has been denied a fair trial.

This story in today’s Times headlines only one of an increasing number of incidents within “occupied” Afghanistan, including murder and imprisonment, which reflect appalling threats to personal freedoms, especially those affecting women, and the ordinary functions of the media, even within the capital itself. The threats come from the Taliban, Islamists, the traditional conservative patriarchy, and even from official government, political and less extreme religious circles.
Can someone tell me again why we’re in Afghanistan?
It’s been seven and a half years since we invaded that country and sharia* is still, literally, the law of the land. This place is on the other side of the world, but its where our new President wants to introduce a larger American armed presence than that which we have already installed there, and that mindless military solution looks like it’s about to become the model for our next overseas adventure, the occupation of one of our allies, Pakistan (whose government has already handed over a good part of its own territory to the Taliban and sharia law) in our continuing “war against terrorism”. In the beginning it was all about Bush, but in the end it’s just going to be Obama and the ghost of LBJ.
Occupying these countries will not make them do what we want them to do, and who doesn’t already know that?
Looking to the west, all the way across Iran to Iraq, we also learned today that the courageous reporter and patriot who insulted Bush fifteen months ago in Baghdad by throwing two shoes at the visiting American commander/comqueror has been sentenced to three years in prison. I would say he’s lucky he wasn’t shot on the spot, executed, “disappeared”, or given 20 years, but this is no way to treat political protest, even in an “Islamic, democratic, federal parliamentary republic” assembled by clueless occupiers. Bush himself, no enemy of secret trials or torture, responded, after ducking the shoes, “that’s what people do in a free society, draw attention to themselves”. Zaidi could be heard screaming outside the room.
One more thought to ponder: Take a look at a map of the Middle East and imagine what you would think about these developments, and the other political and military arrangements an aggressive U.S. empire has made with countries in the area if you were responsible for the security of the proud and ancient people of Iran.

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feeling surrounded

*
Unless you have a very strong stomach, don’t search Google images “sharia”. (I made the mistake of going there because I was hoping to find a generic picture of the subject to illustrate this entry.)

[first image from Getty Images; second from the New York Times]

real New York Times front page evokes fake Times

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real

The front page of this morning’s real New York Times looks an awful lot like the fake New York Times published by the Yes Men with the help of many others last November 12. My own hard copy of today’s Late [City] Edition differs only slightly from the one shown above. It adds a story which suggests the feds are getting closer to nationalizing the banks.
Probably the most significant element missing from the February 27, 2009, paper is the banner headline on the July 4, 2009, edition shown below: “IRAQ WAR ENDS” – but then we still have more than four months to get that one right.

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fake New York Times

[first image from the real NYT site; second from the faux NYT site]

a return to Michael Mandiberg and his “viewing”

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(look closely at the borders within the drawing above)

NOTE: Yesterday I wrote a hurried and perfunctory post on the work Michael Mandiberg has produced while he has been associated with Eyebeam, because I had been told he would have an open studio last night. The information proved to be mistaken; the date of the formal viewing is instead going to be next Tuesday, January 27, at Eyebeam, from 2 to 4, or by appointment [michael at mandiberg dot com] through the end of that week, until January 30.

Mandiberg has assembled a body of work in a range of various mostly-paper forms using elements of both the old technology and the new. He’s addressing the rapidly accelerating obsolescence of our established information systems; our experience of history and language; what we do with time; our direct participation in changing social structures and the disappearance of old political certainties; and old art subsumed in the new. He does it sometimes with ordinary words, and sometimes with the line of the artist. His tool in expressing both of these languages is the modern laser cutter.
His sitter may be the OED, the New York Times, the World Book, the National Geographic Society or Josef Albers. For these portraits he has cut through variously somewhere between one and several hundred pages of “dated” printed texts to produce dramatic, even ravishing negative spaces, words, which symbolize or articulate the contemporary, cutting-edge approach to words and information, and he carefully scorches surfaces of the artist’s traditional paper medium to reconfigure for today some of the aesthetic icons and arguments of the past.
As modern as they are, these pieces are hardly accomplished just by push button. The mark of the artist’s hand is in each. I don’t know how much of it is a consequence of the process and the nature of the materials and how much of it comes from Mandiberg trying calculatedly to show imperfections; he may not know the answer himself.
Sometimes the machine itself fails to produce a perfect effect, and the artist has gone back to reproduce its desired machine perfection by hand. Sometimes Mandiberg seems to be trying to get rid of imperfections in the machine’s work (to remove the hand), and elsewhere he is trying to make the work of the machine look slightly imperfect (to introduce the hand).
If it is anything like what I describe, this approach registers on this individual, personal scale the complex relationship with our machines which we have all shared – not just the artists among us – since the beginnings of industrialization.
I don’t have the space to describe the individual work displayed, especially because they are all so conceptual, and because much of the work is still incomplete, but if you visit far West 21st Street during the next week, you’ll find the artist is totally up to that task.
Mandiberg is currently a senior fellow in Eyebeam’s R&D OpenLab facility. In a conversation Barry and I had with him there yesterday, we were discussing his art and his process when he avowed that, yes, “all of the work here lives in both the arts sphere and the nerd sphere”. Yum. Members of both communities will find much to their tastes if they are able to check out his installation.

[final image from the artist’s Flickr set]

Udi Aloni replies to Noa on Gaza fanaticism: cites Masada

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“Maybe, if you think about the mental situation of the people under seige in Masada, you could get a better sense of what’s happening in Gaza” – Udi Aloni

Some time ago I had set aside a blank, unpublished entry on this blog’s admin page with this working title:
“Can someone please direct me to the Israeli refugee camp?”
I never completed the post.
I probably thought it sounded a bit too snide, even for me at my angriest, as I was then and remain now, anguishing over the never-ending insanity and horror of the tragedy unfolding in the Middle East, specifically in Gaza right now. But ultimately this cancer festers almost everywhere else in this world, as relations between peoples have increasingly putrefied because of the mess which resulted from the manner in which the state of Israel was created.
So, since some of my friends may already be staying clear of me in my absorption in the events of the past weeks, and since I wasn’t prepared to assemble a long narrative on the origins of the conflict to substantiate what some might describe as my more provocative statements in this medium on the subject, I was almost totally relieved and very excited to get an email this morning which included a link to the text of an exceptional statement by an Israeli-American artist and activist I have met and whose work I have admired for years. The text of its sender’s public letter manages to provide the perspective I didn’t, and mercifully without the history lecture I would have delivered.

The film director, writer, visual artist and activist Udi Aloni answers a letter written by Israeli singer Noa [Achinoam Nini] and addressed to Palestinians in the Gaza strip and worldwide in which she called upon them to disavow fanaticism:

Dear Achinoam Nini,
I chose to answer you, and not the entire raging Right, because I believe that the betrayal of the peace camp, at this of all times, exceeds the damage caused by the Right a thousand fold. The ease with which the peace camp gives itself over to the roars of war hinders the creation of a meaningful movement that could [sic] a true resistance to occupation.
You roll your eyes, use your loving words in the service of your conquering people and call upon the Palestinians to surrender in a tender voice. You bestow upon Israel the role of liberator. Upon Israel � that for over 60 years, has been occupying and humiliating them. “I know where your heart is! It is just where mine is, with my children, with the earth, with the heavens, with music, with HOPE!!” you write; but Achinoam, we took their land and imprisoned them in the ghetto called Gaza.
We have covered their skies with fighter jets, soaring like the angels from hell and scattering random death. What hope are you talking about? We destroyed any chance for moderation and mutual life the moment we plundered their land while sitting with them at the negotiation table. We may have spoken of peace, but we were robbing them blind. They wanted the land given to them by international law, and we spoke in the name of Jehovah.
Who are the secular people of Gaza supposed to turn to, when we trample on international law, and when the rest of the enlightened world ignores their cry? When enlightenment fails and moderation is seen as a weakness, religious fanaticism gives a sense of empowerment. Maybe, if you think about the mental situation of the people under siege in Masada, you could get a better sense of what�s happening in Gaza.
The seculars in Gaza find it hard to speak against Hamas when their ghetto is being bombarded all day and all night. You would probably say that ‘we would not need to shell them if they held their fire,’ but they fire because they are fighting for more that the right to live in the prison called Gaza. They are fighting for the right to live as free citizens in an independent country � just as we do.
“I know that deep in your hearts YOU WISH for the demise of this beast called Hamas who has terrorized and murdered you, who has turned Gaza into a trash heap of poverty, disease and misery,” you write. But Hamas is not the monster, my dear Achinoam. It is the monster’s son.
The Israeli occupation is the monster. It and only it is responsible for the poverty and the sickness and the horror. We were so frightened of their secular leadership, which undermined our fantasy of the Land of Israel, that we chose to fund and support Hamas, hoping that by a policy of divide and conquer were could go on with the occupation forever; but when the tables have turned, you choose to blame the effect instead of the cause.
You write, “I can only wish for you that Israel will do the job we all know needs to be done, and finally RID YOU of this cancer, this virus, this monster called fanaticism, today, called Hamas. And that these killers will find what little compassion may still exist in their hearts and STOP using you and your children as human shields for their cowardice and crimes.” It is the same as if your Palestinian sister would write: “Let us hope that Hamas does the job for you, and rids you of the Jewish Right.”
So maybe, instead of ordering around a people whose every glimmer of hope we have surgically eliminated, you could help your brothers and sisters in Palestine rid themselves of the occupation, oppression and the arrogant colonialism inflicted by your country. Only then can you urge them to fight democratically and return Palestine to the mental state it was in before we pushed it into the corner of the wall that we built.
And if your brethren in Palestine choose Hamas, you have to respect their choice, just as the world’s nations respected Israel when it chose the murderous (Ariel) Sharon. Hamas is theirs to fight, just like you fought him. That is what democracy is about. Only then can you and your brethren in both Palestine and Israel share � as equals � the joy of the land, the sky and the music; only then can we fight for equality together, for every man and woman living living in our holy land. Amen.

ADDENDUM: “What if it was San Diego and Tijuana instead?”, an analogy which might be helpful to Americans who know nothing beyond the latest headlines, written by Randall Kuhn and published Wednesday in, yes, The Washington Times.

[image of 1730 French print depicting the siege and capture of Masada from preteristarchive]

Vatican calls Gaza a concentration camp

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Jews captured during the Warsaw Ghetto Uprising led by German soldiers to deportation

I’m normally not inclined to pay attention to the Vatican when it comes to statements on morals, but this BBC bulletin is hard to ignore: The Pope’s justice minister, Cardinal Renato Martino, has sharply criticised Israel’s actions and likened the Gaza Strip to a “big concentration camp”.
The developments of the past two weeks make me want to pose a question closely related to that analogy: Can anyone say, “Warsaw Ghetto uprising”?
After the horrors committed in our name (and with the active or passive support of most of us) by our own government these past eight years, Americans of conscience can’t easily point fingers at any of the peoples who suffer under immoral regimes whether these systems were historically discredited in the middle of the last century or are very much active in the present. However I still think it’s fair to ask, where are the “good Germans” today [using the phrase sincerely, not sardonically], in both Israel and the U.S., and also in those countries which continue to support and enable the disastrous policies pursued by both.

My thanks for the news tip go to a friend who is with a group, “We are Jews who say ‘Not in Our Name’ to the Israeli Government”, assembling at 5:30 pm this Monday, January 12, in front of the Israeli Consulate at 800 Second Avenue between 42nd and 43rd Streets.

[image from JewishVirtualLibrary]

Bloomberg’s Israel-speak is disgusting

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(tell him it’s not his to give away)

Nothing Michael Bloomberg has done yet has disgusted me more than his mindless support of the government of Israel’s bloody insanity in Gaza while he’s wrapped in the trappings of the high office of the cosmopolitan City of New York.
Some of us prefer to think before we act, and we don’t pretend to represent an entire constituency when we do.
While he’s talking about the right of a government to defend oneself, referencing a mighty military state allied with the most powerful nations on earth, a nation which actualized its people’s 2,000-year old memory of a homeland only 60 sixty years ago, why can’t the mayor of all New Yorkers bring himself to recognize the rights of an almost people who are almost powerless and have virtually no allies, whose memory of a homeland is more vivid and within living memory, going back, as it does, only those same 60 years?
Bloomberg may understand money and power (he bought his own political office and since then he’s learned to emulate Putin), but apparently nothing else. His sympathies have always been with the guy on top, and that’s where they remain today.
He’s a damned fool, but that doesn’t make him any less dangerous.

[image of the Great Seal of the City of New York from citizenarcane]

Ali Banisadr at Leslie Tonkonow

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Ali Banisadr untitled (Black 2) 2008 oil on linen 22″ x 32″
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[detail]

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Ali Banisadr Prisoners of the Sun (TV) 2008 oil on linen 54″ x 72″

Ali Banisadr currently has a show of his latest paintings at Leslie Tonkonow. I can’t throw out enough superlatives about this work, for it attributes, both separately and together, of its great beauty, its extraordinary skill, its staggering concept, and its remarkable genesis.
The beauty is dazzling; the skill is only fully evident upon closer examination of the small images on these canvases, when it can be seen that they are composed of what are essentially abstract paint strokes and not really figures; the concept behind their splendor is that they represent (and not quite hide) some pretty horrible scenes of human cruelty; their genesis begins with the artist’s childhood in war-time Iran.
The gallery press release has much more:

[the paintings] combine stylistic idioms from the history of western art with references to Persian miniature painting. Underlying the seductive beauty of Banisadr�s richly interwoven imagery is the apocalyptic nature of his subject matter. In these works, memory and history collide, inspired by his childhood recollections of the Iran-Iraq War.