the very red fireworks

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untitled (red tracers) 2012

Last night I accompanied Barry to the Gotham Ruby Conference (GORUCO) afterparty. I was his arm candy, we explained to anyone who asked about my [technical] orientation. It was a beautiful night to be on the water, with a quarter moon above and under our feet a boat filled with some very nice and very smart people (including some real eye candy of all kinds). When we neared the Statue of Liberty the skies exploded in a terrific fireworks display set off from a barge anchored just off Ellis Island. Although this is the weekend of the 43rd anniversary of Stonewall, the occasion, and the sponsor, of these particular pyrotechnics was actually The B.I.G. Celebration.
I captured some more conventional shots, but this is the one which captured me, and it needed no Photoshopping. Fireworks are abstractions anyway; that’s why most of us prefer them to bombs.

May Day 2012

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ADDENDUM: May Day 2012 actions specific to, or related to, OWS Arts & Labor initiatives

It’s in the nature of these events that not everything planned around them can, or should, be known in advance, but the OccupyWallStreet site has extensive information on both ‘permitted’ and ‘unpermitted’ actions anticipated in New York City this Tuesday, May Day 2012.
It also includes a link to known actions in some 125 cities around the country.
I don’t have a link for actions outside the U.S., but there is this link to an interactive map showing 1400 Occupations across the globe.
All of this of course is just for starters. Expect a very interesting day. The 1% is on the run.

[I can’t credit the origin of the flier I photographed and uploaded here, except to describe it as the most minimal – and commanding – of several available in one of the cooler galleries participating in the very cool Dependent Art Fair two months ago]

tenth anniversary of jameswagner.com

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adding them up

Today marks the end of a full decade for this blog.
As I have been more than a little slow in posting over the past year (probably from having discovered more of the outside world – and of course Twitter), I felt I didn’t deserve a real number on this anniversary; instead of a 10 I’ve gone for three numbers which add up to 10.
I can’t predict what, or how much, will show up in the blog over the next year, but It’s not going away. In the meantime this is a brief description of its history, in pretty much the same words I used a year ago:

The blog began when, finding myself totally frustrated with the idiocy and brutishness of my country’s response to the events of September 11 and feeling almost totally isolated in my disgust, I started sending a series of emails to people I knew well, sharing my thoughts and my anger. A few months later I started jameswagner.com, intending it to be a more structured – and more widely broadcast – form for the kinds of unelicited rants with which I had been testing the patience of my friends. It was also intended to include ruminations on subjects in which I thought others might share my interest.
Almost from the start there were entries on politics, the arts, queerdom, history, New York and the world, and within a year they began to be accompanied by images and photographs. Many of the latter have been my own.

April 27 is another anniversary for me, much more precious and infinitely more important than the launch of this modest little blog: I met Barry, my perfect partner in everything (and Wunderkind webmaster) exactly twenty one-years ago today.

[the image is that of the modernist numbers above one of the entrances of the building two doors down from us, a very sturdy structure which incidentally houses the National Office of the American Communist Party USA]

NYC gets yesterday’s taxi, not ‘The Taxi of Tomorrow’

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the Karsan V1, with just about everything going for it, really would be the ‘Taxi of Tomorrow’

Although the very modern, beautifully-designed, extraordinarily-roomy and fully-accessible Karsan V1 was hailed by New Yorkers (65.5 percent of those polled) as their favorite “Taxi of Tomorrow”, the city ended up choosing the least popular entry, the hideous Nissan NV 200, to which Motor Trend’s Frank Morris referred, somewhat generously, as “a dorky looking van that’s being converted to taxi duty”.
New York City initiated the competition in 2007 to find a replacement for the unmourned, unlovely, and antediluvian Ford Crown Victoria. Its Dearborn manufacturer had announced that it would discontinue the vehicle by 2012; otherwise, it’s likely we would still be enduring its discomforts and its aesthetic and environmental assaults decades from now, even though it was based on an automobile platform first introduced in 1978.
As it had with the proposals it sought and received for the reconstruction of the World Trade Center site, the city ended up ignoring the results of its own vaunted “Taxi of Tomorrow” contest: In the end it settled on the one design most people didn’t like; it was also the design which least satisfied the requirements of the commission.
While the Nissan was certainly the most conservative response to an important challenge, in the end it will prove to have been the most impractical choice, and therefore the most radical, given the parameters of the search: Of the three finalists it responds the least well to current taxi needs, and its environmental and accessibility inadequacies, among others, will look be even more grotesque as time goes by. In picking the barely-adequate, ungainly and unlovely Nissan “they” struck out once more, embarrassing New Yorkers who actually care about the city’s ability to get things right (both better than and before others do, if possible). And then there are the aesthetics: The brutal, armored-truck lines of the obscene American SUV fetish object seems to have inured even certain New Yorkers to the gross plug-ugliness of this vehicle.
For what it’s worth (and in a supposedly post-industrial and post-Wall Street world i think it’s worth a lot) the Karsan is the only vehicle of the three finalists which would have been manufactured in the U.S. To be specific, it would have been assembled in the home country, Brooklyn (Sunset Park).
In an article today, the New York Times doesn’t seem quite persuaded by Nissan or the New York City Taxi and Limousine Commission that a hired French designer can tart it up enough with a special horn, speckled flooring, and altered paint color to get us to think of the bulky Nissan NV 200 as their promised “Taxi of Tomorrow”. I don’t believe New Yorkers, or at least those paying attention, will buy it, but then I think of those junky Crown Victorias and, more recently, the cramped hybrid sedans, and ridiculous climb-up SUVs we’re dealing with now.
I’ll leave the French Designer with the last word, pulled from the Times piece, where it is the last word:

“New Yorkers are so used to their cab rides,” [Francois Farion of Nissan] said, “that they sometimes forget how it could be better.”

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the Karsan: roll up your chair, bike, stroller, or hand truck from a built-in ramp on either side

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The Ford Europe’s Transit Connect is a very decent “Taxi of Today” and some are NYC rides now*

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The dumpy, malformed Nissan NV 200, introduced in 2007, is barely even the “Taxi of Yesterday”

*
the one seen here sighted at Madison Square last October

[first and second images Motoring Dreams; third image blogger’s own; fourth image fyidriving]

JCU prez on ‘Religious Liberty and Public Policy’

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Galileo Galileis 1633 recantation: Science did not wait 350 years for the Church’s halfhearted apology, and women and queers aren’t waiting now

I received a letter today from Robert Niehoff, S.J., the president of John Carroll University, a small Midwestern Jesuit liberal arts university where I matriculated in 1958. The letter was addressed to the university community at large, and I soon learned that it was apparently a response to a February letter written to Niehoff, in his official capacity, by a number of faculty members (approximately a quarter of the total) who were concerned about the Catholic Church’s intransigence over the implementation of the Affordable Health Care Act of 2010.
I’m not Greg Smith (I’ve had no connection to my own addressee in 50 years) and John Carroll University is not Goldman Sachs (for starters the school is presumably a not-for-profit institution), so the letter I wrote in response, copied below, will not have much impact on anything. I still want to broadcast it however, because I believe the subject itself is important.

Dear Father Niehoff,
The position of most of the contemporary American Catholic hierarchy on the issue of contraception (an issue which, by the way, I am certain you are aware was virtually unknown in previous ages both more and less benighted than our own), is one which has been manufactured by late-20th-century Catholics and other absurd fundamentalist cults–in an unworthy, nay, disgusting, collusion with opportunistic political neanderthals.
Beyond all reason and, yes, beyond all issues of genuine morality, it is an offensive which, with the possible exception of the Church’s virulent campaign against the rights, dignity, and physical survival of hundreds of millions of homosexuals (I count myself within their number), has been singularly, aggressively and continuously prescribed and launched against both its own members and, most grievously, all of those who do not recognize its domain or its primitive postulates.
It is just one of the reasons I have been unable to have anything to do with my undergraduate college for the past half century.
Sincerely.
James Wagner
Class of 1962

Niehoff’s letter, to which the above text was a response, is reproduced below. The still earlier JCU faculty letter can be read here.

To: The John Carroll Community
From: Robert L. Niehoff, S.J.
Date: March 16, 2012
Re: Religious Liberty and Public Policy
By now I am sure you are aware of the public policy issues surrounding the implementation of the Affordable Health Care Act of 2010 and the controversy these new regulations have caused related to Church teachings.
As part of a broad effort to increase access to healthcare for all Americans, the Department of Health and Human Services (HHS) announced a new set of norms for health insurance provided by all employers–including the nearly 250 Catholic colleges and universities like John Carroll. In particular, HHS generated significant attention by mandating contraceptive coverage for all health plans, which many in the Catholic community regard as disrespectful of its teachings and as an infringement on religious liberty.
On February 10, an “accommodation” was announced by the White House stating that institutions like ours would not be required to pay for this new coverage–however, insurers would have to make it available (at no cost) for those within our health care plans.
I want to reaffirm what I have stated publicly, that “our values are important to us, and our religious freedoms are fundamental to our mission at John Carroll University.” Further, I have stated that “we share the U.S. Conference of Catholic Bishops’ concerns about religious liberty and church teachings, and we will continue to work with them and with other Catholic colleges and organizations toward a constructive outcome with the Department of Health and Human Services.”
In the midst of our national debates about public policy and values, there are two key points that I ask all of us keep in mind:
1) The need for civil discourse, which at its core is a respect for those with whom we disagree, is essential to who we are as an institution and our Catholic and Jesuit character.
There are many tensions surrounding this issue. I understand the strong feelings that many have for this particular subject. Let me make it clear that our University must be a place where this issue–like any other–can be discussed in an environment of mutual respect.
2) The public policy situation is far from being resolved.
I am engaged in this national dialogue together with the leadership and members of the Association of Jesuit Colleges and Universities (AJCU), and the Association of Catholic Colleges and Universities (ACCU). I continue to stay in touch with Bishop Lennon concerning the conversations between those institutions, the U.S. Conference of Catholic Bishops, and the Department of Health and Human Services.
The issues related to the HHS mandate are significant and it is unclear that the mandate can survive the legal challenges, which have already begun. At this time when our nation is engaged in a very politicized election period, this issue–among others–will receive considerable attention. It will be the center of much debate, and various points of view will be presented.
Again, I encourage all to remember that our University is at its best when we engage in a respectful dialogue.

[image from the University of Chicago Press]

‘Animal Farm: A Musical’ at the Brucennial 2012

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graduating Piggy Artists celebrate the breakthrough which made the Brucennial possible [from left to right: Ian Lassiter, Liz Olanoff, Joe Kay, Maria Dizzia, Matt Nasser]

Last night the earnest, tuneful sounds of the Bruce High Quality Foundation‘s production of Animal Farm: A Musical further enlivened the halls of an already almost-impossibly-vigorous second edition of the arts collective’s Brucennial, first visited upon the unsuspecting city in 2010.
The fable, based only very loosely on Orwell’s allegorical novella, describes the redemptive journey of “the graduating Piggy Artists of the class of 2012” (from the BHQF site) after their confrontation with their school’s alleged penury; its chicken trustees’ incompetence, cowardice, and stinginess, and their move toward charging tuition for the first time after 150 years; its greedy dog financial-advisors, and the dispersal, for a time, of the collective creative energy of the porcine members of the class itself.
While somewhere in BHQF materials there’s a reference to the group’s own institution of higher arts learning, the Bruce High Quality Foundation University, the real story of the high-spirited lets-put-on-a-show production is that of The Cooper Union for the Advancement of Science and Art and the handful(s) of former Cooper students which founded the collective in 2004.
Following the conclusion of the show one of the Bruce’s made a very straight appeal to members of the audience, asking them to help ensure that the college on Cooper Square not betray its legacy as a pure meritocracy: It was founded by the self-made industrialist Peter Cooper to give young people the opportunity of the good education he never had, a tuition-free school whose facilities were open to anyone who applied.
We were asked to go to freecooperunion.com for more information, and to spread its words. Those of the Bruce High Quality Foundation University anthem, printed inside Sunday’s handsome “Playbill”, offer an inspiration:

Every Pig is an artist.
No pig flies alone.
Teaching others is our greatest work.
We can’t do it on our own.

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[second image, the program cover, from GalleristNY]

New York delivers a Bronx cheer for SOPA and PIPA

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Barry and I were a part of a large – but very polite and stunningly geeky – crowd of, eventually, one to two thousand people gathered today (Jan. 18) in Midtown.
We were outside of the Manhattan offices of senators Kirsten Gillibrand and Charles Schumer. Both are co-sponsors of the latest egregious Congressional attack on the Internet, the tech industry generally, and, in its ultimate implications, the basic right of free speech: It’s a Senate bill called the Protect Intellectual Property Act, or PIPA. The House has its own version, called the Stop Online Piracy Act, or SOPA,.
Both bills were actually written by Hollywood and the recording industry, which together have thrown millions at a Congress whose members have admited that the voters have not actually asked for their personal and quite extraordinary ministrations in this area of critical national interest. If the two houses were to agree on its terms and a bill were signed into law it would essentially mean the corporate privatization of the Internet.
The protest had been called by New York Tech Meetup, a group founded in 2004 to represent professionals from all parts of the technology industry in the New York community. Along with many other sites, Wikipedia and New York Tech Meetup went black today to protest SOPA/PIPA, but in a very quick search I found 1stwebdesigner, only one of many useful sites able to provide information useful especially to those less than completely technically fluent.
Why were we all there this afternoon?
Those of us who use the Internet know the difference between fair use and piracy, but an unrepresenative government owned exclusively by the super rich and the wealthiest corporations – including legacy media – a government which can’t figure out how to keep people from being thrown out of their homes, a government which worships secrecy while it engages in torture, wars of aggression, and political assassination, which enshrines gun ownership as something of a Constitutional sacrament while erasing habeas corpus, due process, the rights of assembly and free speech, and prohibitions against indefinite detention without trial, is a government which absolutely cannot be trusted to make the right call if it gains the powers contemplated by SOPA and PIPA.

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I’m always excited to see theatrical or dramatic elements introduced into political activism, and sine this was a pretty staid crowd, I was particularly delighted when a man stepped into the crowd near where we were standing listening to the scheduled speakers, unwrap a large stash of blank all-black cardboard sheets, and then quickly distribute them to strangers. Most of them accepted their assigned role in representing conceptually an internet blacked-out by government censorship. Others immediately picked up on the image of blank screens they had formed and whipped out their cameras to capture it. The action’s creative director appears in the center of this picture.

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the Chelsea Hotel: now living with ghosts?

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Patti Smith performing for the one percent at the Chelsea Wednesday night

UPDATE: Citing the wishes of the Chelsea’s tenants, Patti Smith cancelled Thursday night’s concert, to which they had been invited. Her statement appears on her web site. Score another one for the 99%.

The Chelsea Hotel seems to be attracting more tourists than ever these days; do they know that what they have come to photograph is now a shell, that it has already been destroyed, in a process begun three and a half years ago?
We live almost directly across the street from it, and I have passed by its front doors almost every day for 25 years. I also have wonderful memories of both strangers and friends, and of the provocations of both visual and performance art projects which could only have come out of this amazing community.
I can’t bring myself to look inside the lobby these days. I stopped going in when the bouncers appeared, and later the new owners removed all traces of the life with which the building had been so richly endowed as they tossed out the odd furniture and the amazing collection of art, both accumulated over many decades. Adding insult to injury, the walls were then essentially – and revealingly – whitewashed.
Those of us who remember the Chelsea Hotel when it was still a vibrant cultural hive have been made both saddened and angered by the unfolding story of its demise, driven by an unfettered greed absent during the 70 years it was under the management of the Bard family.
I admit I don’t understand much of what is happening inside 222 West 23rd Street, and I don’t think many people do. More to the point, I can’t believe that so little is known about the owners’ plans for such an important landmark and once-living monument, if only because of its importance as real estate in a real estate-obsessed city. Permits have to be applied for – and granted (or not) – and I would think the media would be on top of any developments in the story, even if they turned out to be rumors.
All of this brings me to the latest development in the saga of the beautiful 127-year-old relic of brick, iron, and passion: A Patti Smith concert is to be held tonight inside the old hotel ballroom, a concert which may or may not be sponsored by the Chetrit Group, the new corporate owners. The New York Times finds the response to the announcement newsworthy, but doesn’t add much light to the larger story. The newspaper neglected to mention that last night Smith was at the hotel to play what the Village Voice wrote “appears to have been a new-hotel-management-planned event to which tenants were not invited, but the architect and others were”.
This is a story which wouldn’t exist at all if it weren’t for the fact that a number of people still live in the 12-story landmark, and obviously have a more personal stake in its future than those who merely love it; these people have paid for their attachment to the Chelsea, and they continue to do so. It is their home, but they also stewards of its heritage, on behalf of all of us. We should do them the honor of respecting their concerns and join them in asking for answers to questions apparently not being asked anywhere else.
I was moved, in coming up with a title to this post, by the indispensable in-house Chelsea Hotel blog, “Living with Legends“, published by our friend Ed Hamilton. We want to see Ed, his blog, and the Chelsea thrive; our hope is for continuing living legends, not just ghosts.
Jeremiah’s Vanishing New York” and “Living with Legends” are asking friends of the real Chelsea to meet outside the hotel tonight at 8pm during the second, tenants’ concert, to raise lit lighters, and recite the lyrics of Smith’s song “People Have the Power”:

I was dreaming in my dreaming of an aspect bright and fair
And my sleeping it was broken
but my dream it lingered near
In the form of shining valleys
where the pure air recognized
And my senses newly opened
I awakened to cry –
That the people have the power to redeem the works of fools
Upon the meek the graces shower
it’s decreed
the people rule.
The people have the power
the people have the power
The people have the power
the people have the power.
Vengeful aspects became suspect and bending low as if to hear
And the armies ceased advancing because the people had their ear.
And the shepherds and the soldiers lay beneath the stars
Exchanging visions and laying arms to waste in the dust
In the form of shining valleys where the pure air recognized
And my senses newly opened
I awakened to the cry –
The people have the power
the people have the power
The people have the power
the people have the power.
The power to dream
to rule
to wrestle the world from fools
It’s decreed
the people rule
it’s decreed
the people rule.
Listen: I believe everything we dream can come to pass through our
union
We can tun the world around
we can turn the earths revolution.
We have the power
the people have the power
The people have the power
the people have the power.
The power to dream
to rule
to wrestle us from fools
It’s decreed
the people rule.
We have the power
we have the power
The people have the power
we have the power.

[image by Maydersen via the Village Voice; lyrics from STLyrics.com]